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[minimal, contemporary avant-garde, modern classical] Meredith Monk - 2016 - On Behalf Of Nature (FLAC, ECM 2473]

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Music : Other : Lossless
      

ECM
New Series ECM 2473.

1	Dark / Light 1 4:27
2	High Realm 1:26
3	Fractal Activity 2:57
4	Environs 1 1:51
5	Eon 2:56
6	Duet With Shifting Ground 5:22
7	Environs 2 0:56
8	Pavement Steps
2:04
9	Evolution 4:40
10	Ritual Zone 4:08
11	Water / Sky Rant 5:48
12	Memory Zone 4:23
13	Environs 3 0:55
14	Harvest 3:18
15	Dark / Light 2 3:07
16	High Realm Reprise 1:01
17	Fractal
Mirror 1:56
18	Ringing 3:29
19	Spider Web Anthem 6:07

Meredith Monk: voice
(1,2,3,6,8,9,11,14,16,17,18,19)
Allison Sniffin: keyboard (1,5,8,11,12,14,15), violin (1,2,6,9,10,12,19),
voice (2,3,6,9,10,11,14,15,16,17,19), french horn (5,11,18), piano (14,19)
John Hollenbeck: marimba
(1,2,5,6,12,15,16,19), prepared marimba (1,8,9,10,14), prepared vibraphone (1,11), vibraphone (2,3,5,6,12,16,18), toy
glockenspiel (2,16), rasping stick (7), hi-hat cymbals (8,16), percussion (9,10,14), bowed flexatone (9), cuica (11),
bells (15)
Bohdan Hilash: Burmese piccolo flute (1,3), contrabass clarinet (1,5,8,9), bass clarinet
(1,6,9,12,15,18), Bb clarinet (1,3,5,6,9,12,15,18), sopranino recorder (3), contra-alto clarinet (5), seljefløyte
(6,11), Eb clarinet (8,11,12), Macauan bird calls (11), Burmese whistles (11,14), horanåva (14), sulittu (14)
Katie Geissinger: voice (1,2,3,6,8,9,10,12,14,15,16,17,18,19)
Bruce Rameker: voice
(1,2,3,6,8,9,10,12,14,16,17,18)
Meredith Monk vocal ensemble: voices (4,7,13)
Ellen Fisher:
voice (1,2,3,6,8,14,16,17,18)
Sidney Chen: voice (1,3,6,8,9,10,12,14,17,18)
Laura Sherman: harp
(6,11,12,18)

Recorded June 2015, Avatar Studios, New York

Meredith Monk's influence as a singer
and composer extends through Björk, Joanna Newsom and beyond. On Behalf of Nature is a plea for ecological awareness
with no lectures, just beauty and empathy. 

Over her half-century career as a composer and singer, Meredith
Monk has refreshed the language of vocal music. She has cultivated steely modes of expression in her top register, and
gravely dramatic timbres in the low end. In between those extremes, she possesses a library of stunning, diverse effects
that come across as intensely physical. On a recording, Monk’s voice doesn’t enter the listener’s
consciousness from some disembodied ether. The music sails directly from the discrete figure at its center.
The
pressed-lip vibrations, throat clicks and beaming yowls of childhood play are celebrated in her singing. And these
tricks are also put to use for emotionally varied ends. A tender lullaby might veer into a cathartic silliness. A
pulse-driven group chant can collapse into solemn observance. Patterns are present, though mostly for the purpose of
being challenged by an unlikely development.
Occasionally she uses short English phrases to anchor a theme. More
often, the vocal production is wordless—though it is no less communicative for that fact. The influence of this
style is felt both inside and outside the academy. When listening to Björk, Joanna Newsom, or Kate Soper,
you’re dealing with a tradition that stretches back through Monk, who has studied classical and folk forms and
found luminous ways to channel them. 
On Behalf of Nature is titled after one of Monk’s recent, wordless
stage shows: a meditation on ecological themes, including climate change. Despite that impassioned editorial focus, her
resulting suite of songs and motifs avoids coming across like a lecture. And because she always revises the music from a
dramatic piece before creating an album, Nature sounds purposeful and complete throughout its hourlong running time.
Aside from her vocal troupe, the instrumental forces include ace percussionist John Hollenbeck, harpist Laura Sherman,
and the reed-